The tone is very hipster-ish: polite, but with a smirk, an amused distance from which Fernando A. Every story is told in a telegraphic, deadpan manner that's half-way between journalism and local folklore. I think there is only one dialogue in the entire book. 1 is kind of an inveterate iconoclast in its own way. I don't know why I had all these expectations, but it turned out to be a radically different affair, yet DEATH TO THE BULLSHIT ARTISTS OF SOUTH TEXAS, VOL. to be something very precise: a rebellious little book about broke musicians trying to make a living, that it would be funny and crass and that it would use a lot of cuss words. I was expectins DEATH TO THE BULLSHIT ARTISTS OF SOUTH TEXAS, VOL 1. DEATH TO BULLSHIT ARTISTS OF SOUTH TEXAS, VOL. It's not everybody who dabbles with art that becomes Paul McCartney or Francis Scott Fitzgerald. It's a short story collection that's as interested in failure as it is in success. Flores is not exactly interested in the art, but in the budding artists in the process of discovering themselves. DEATH TO THE BULLSHIT ARTISTS OF SOUTH TEXAS, VOL. Of course, my reasons changed a little since then. I've started writing for the strangest reasons: because random people told me I was good at it, because I figured it would be something interesting to do after finishing school and because I read a lot and it triggered these visions I needed to get out of my system.
0 Comments
Leave a Reply. |